et your neighbors.
Add Event

30 upcoming events with the concerts tag

775 past events with this tag

Mar 24, 2026

This Tuesday

Mar 25, 2026

This Wednesday

Mar 27, 2026

This Friday

Mar 28, 2026

Saturday

Mar 31, 2026

Tuesday

Apr 4, 2026

Saturday

Apr 10, 2026

Friday

Apr 11, 2026

Saturday

Apr 12, 2026

Sunday

  • The Marriage of Figaro 3pm @ Sursa Performance Hall, Ball State University Corner of Riverside and McKinley
    Cost: General Public: $18 in advance, $20 at the door Students: $5 in advance, $8 at the door Seniors (62+)/ BSU Faculty/Staff: $15 in advance, $17 at the door

    About

    For their spring performance, Ball State’s Opera Theatre program will present The Marriage of Figaro.

    The Marriage of Figaro continues the plot of The Barber of Seville (which centers around Count Almaviva's pursuit of Rosina) several years later, and recounts a single "day of madness" (la folle journée) in the palace of Count Almaviva. Rosina is now the countess. Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself, and Count Almaviva has degenerated from the romantic youth of Barber, into a scheming, bullying, skirt-chasing baritone. Having gratefully given Figaro a job as head of his servant-staff, he is now persistently trying to exercise his feudal right to bed a servant girl on her wedding night (which he had prior relinquished in his courtship with the Countess) – with Figaro's bride-to-be, Susanna, who is the countess's maid. He keeps finding excuses to delay the civil part of the wedding of his two servants, which is arranged for this very day. Figaro, Susanna, and the countess conspire to embarrass the count and expose his scheming. He retaliates by trying to compel Figaro legally to marry a woman old enough to be his mother, but it turns out at the last minute that she really is his mother. Through the clever manipulations of Susanna and the countess and several hijkinks along the way, Figaro and Susanna are finally able to marry.

    Learn more about the Ball State Opera Theatre program, director Jon Truitt, and vocal coach Cara Chowning

    Other Performances

    This is the second of two performances. The first performance is at 7:30 p.m. on Saturday, April 11.

    Tickets

    • General Public: $18 in advance, $20 at the door
      Students: $5 in advance, $8 at the door
      Seniors (62+)/ BSU Faculty/Staff: $15 in advance, $17 at the door

    Tickets are sold through the College of Fine Arts Box Office located at Sursa Hall. Purchase options:

    • ONLINE
    • Phone: 765-285-8749
    • In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance at the performance venue

    **Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.

    Parking

    Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. This garage is free on weekends.

Apr 16, 2026

Thursday

Apr 19, 2026

Sunday

  • Faculty Artist Series: Lisa Kozenko (oboe) and Catherine Kautsky (piano) 3pm @ Sursa Performance Hall, Ball State University Corner of Riverside and McKinley

    About

    The Faculty Artist Series features School of Music faculty sharing their talent and passion for music with the campus and community. 

    Critically acclaimed for her virtuosity and versatility, oboist Lisa Kozenko performs internationally as a soloist, chamber artist and orchestral musician. Ms. Kozenko has appeared as a concerto soloist with the Nova Filarmonia of Portugal, the National Orchestra of New York, the National Symphony Orchestra of Mexico, the Lehigh Valley Chamber Orchestra and the Greenwich Village Orchestra. Concert engagements include performances at the Phillips Collection in Washington D.C., the Dame Myra Hess Memorial Concert Series in Chicago, the Frick Collection in Pittsburgh and the Trinity Noonday Series, Great Music in the Chapel Series, and Merkin Concert Hall in New York City.

    Catherine Kautsky, Chair of Keyboard at Lawrence University in Appleton, WI, has been lauded by the New York Times as “a pianist who can play Mozart and Schubert as though their sentiments and habits of speech coincided exactly with hers … The music spoke directly to the listener, with neither obfuscation nor pretense.” She was the 2016 winner of the Lawrence Excellence in Teaching Award, the 2013 winner of the university’s Faculty Convocation Award, and in 2017 she was honored with the George and Marjorie Olsen Chandler Chair in Music. Her recording of the Debussy Preludes, released by Centaur in September, 2014, was said to “bring out all the power, majesty, and mystery of Debussy’s conception,“ and a recording of the complete Brahms Sonatas for Violin and Piano was released in 2019 to top reviews. Ms. Kautsky, whose teachers included Rosina Lhevinne, Gyorgy Sebok, Leon Fleisher, Martin Canin, and Gilbert Kalish, has concertized widely, performing in major halls such as Alice Tully Hall, Carnegie Recital Hall, the Phillips Collection, Jordan Hall, and the Chicago Cultural Center. She has soloed with numerous orchestras, including the St. Louis Symphony and Milwaukee Chamber Orchestra, and appeared frequently on public radio. She has spent two sabbaticals in Paris and played abroad in France, England, Italy, Spain, Poland, China, Hong Kong, Korea, Thailand, Brazil, Australia, Russia, and South Africa. Known as both a solo and collaborative performer, Ms. Kautsky has performed chamber music at the Aspen, Tanglewood, and Grand Teton Festivals, and presented masterclasses on five continents, including 2018 appearances in Hong Kong, Ho Chi Minh City, and Hanoi.

    Livestream

    This recital will also be offered as a livestream - visit the Concert Livestream Page to watch live. Streaming begins approximately 15 minutes prior to scheduled concert start time.

    Free Admission

    This recital is free and open to the public.

    Parking

    Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Metered parking is available on the first floor of the garage until 7 p.m. at which time parking is free.

Apr 23, 2026

Thursday

May 21, 2026

Thursday

Jun 18, 2026

Thursday

Jul 11, 2026

Saturday

  • Michael Cleveland & Flamekeeper Muncie Three Trails Presents Michael Cleveland & Flamekeeper 7pm @ Canan Commons
    Michael Cleveland & Flamekeeper Michael Cleveland & Flamekeeper

    GRAMMY-winning bluegrass greats Michael Cleveland & Flamekeeper will be performing a FREE outdoor concert as part of the 2026 Muncie Three Trails Music Series. This concert is sponsored by the Community Foundation of Muncie and Delaware County. Locals The John Beatrtice Band will open the show. Widely considered the best bluegrass fiddler of his generation, Michael Cleveland has been recognized 12 times as the International Bluegrass Music Association’s (IBMA) “Fiddler of the Year,” and in 2018 he was inducted into the National Fiddler’s Hall of Fame. His recording Fiddlers Dream was nominated in 2018 for a GRAMMY for “Best Bluegrass Album,” and in 2019, his album Tall Fiddler won that award. In 2022, he, like his idol Bill Monroe, was awarded the National Endowment for the Arts Heritage Fellowship. And most recently, Michael’s latest recording with Jason Carter, Carter & Cleveland,  won IBMA’s 2025 “Album of the Year” award and has been nominated for a 2026 GRAMMY for “Best Bluegrass Album.”

Jul 16, 2026

Thursday

Aug 8, 2026

Saturday

  • Cristina Vane Muncie Three Trails Presents Cristina Vane 7pm @ Canan Commons
    Cost: FREE
    Ages: All Ages
    Cristina Vane Cristina Vane

    Critically acclaimed Americana/blues artist Cristina Vane and her band will be performing a FREE outdoor concert as part of the 2026 Muncie Three Trails Music Series. This concert will take place at 7:00 PM on Saturday, August 8th  at Canan Commons (600 S. Walnut St.) in the heart of downtown Muncie, IN. Locals Lovesick Moan will open the show.

    More than a mere practitioner of her craft, Cristina Vane has a breadth and depth of serious musical skill compiled from countless miles across all kinds of geography. On her third studio album ‘Hear My Call,’ the pairing of a lifetime pursuit and growing treasure trove of songs makes for a record that demands to be heard.

    A deft multi-instrumentalist and captivating vocalist, she began writing songs and playing guitar in her teens, before the power of slide guitar captured her attention one summer in London and changed her trajectory. Her sound is a product of a merging of numerous worlds- her classic rock, 90s indie, and heavier roots with her passion for prewar blues, old time fiddle banjo music, country and bluegrass. On Hear My Call, Vane refuses to bend herself into a box, writing excellent bluegrass songs that exist cohesively alongside her blues, rock, and hill country blues inspired tunes. Indeed, a decade of finding herself has brought her full circle; in her words, “ “When it came to the album, I wanted it to be a reflection of who I am, not just of the old music that I’ve come to love”, she explains, “and I’m essentially a rock kid who is obsessed with old music. After being exposed to all of this music that was foreign to me, I am slowly figuring out how to find my own voice within it." 

Aug 15, 2026

Saturday